Saturday, January 19, 2019
How effectively two productions of Macbeth introduce Duncan Essay
attempt how effectively two productions of Macbeth introduce Duncan. In your answer you may proclivity to consider setting, lighting, costumes and choice of actor?King Duncan is introduced in the text as text as the first spea baron character after the witches, and in only a short space of time has shown himself to be a figure of power, able command the respect of his fellow man and is a keen att poleee.William Shakespe bes text starts by showing King Duncans authority in his first sentenceWhat bloody man is that?The king demands, instead of waiting for an answer, he puts two and two together and saysHe can report, as suck inmth by his plightAnd the soldier tells the king round the battle.Duncan also keeps his Reponses short and to the point, he appears to be a good listener as he never interrupts anyone while there lecture and waits for his troll to talk, a respectful king.Also as king he appears to be noble even though he doesnt have to be, this is shown byO valiant cousin, worthy gentlemanHere he addresses Macbeth with a title further more c aloneing him brave and he calls the captain worthy.He is also a caring man this is demonstrated after the bleeding captain finishes tells him about the battleGo get him surgeons.The king doesnt have to have anything to do with this but he takes action.In 1971Roman Polanski direct a cinema version of the Shakespeare mulct Macbeth. This film introduced a unit new generation to William Shakespeare, Listed below are differences between this form of media and what was traditionally seen as the home of Shakespeare, the period. The differences being a little sophisticated audience, in terms of knowledge Shakespeares plays. Ability to film on location, this has the expediency of looking great it if done correctly but if it is done poorly it looks cheap and tacky. The amount of actors in the movie industry out weights that of the stage productions, so a range of talent to choose from is greater.Roman Polanski non on ly takes payoff of all of the above but he makes the characters his as he sees them. An example of the is King Duncan, Polanski chooses a man of about 45 years of age, he does this beca determination he doesnt to see older less active man, he wants to show a king of action, this is shown in the movie, when we see the king on horseback riding across the battlefield, this happens at the get down of the text at the start of act 1 scene 2 where it says the locationKing Duncans camp near ForresIt says camp non battleground, the king would never go into battle himself this was his right as a king. An other thing Polanski does is to show the king wearing a poncho with his family show up of arms embroiled on it, below this Duncan is clad to battle armour, this gives us a false impression of bra really, and he also tantalizes with his crown on his head this is to gain yet more attention, almost rubbing his advantage over the lesser men.The opening with scene with Duncan has him riding o ver a sand dune, but before we even see this we people play the trumpet, you have to important to have your own fanfare and guard, as they ride on to beach the camera keeps up with them and we see the sky the is firmly over cast, maybe a sign of things to perplex. Polanski has also seen fit to prune the parts to the play, the effect of this is to keep things flowing fast and to hold the audiences attention.When Duncan starts talking to the injured captain, it seem very informal, theyre all it horse and no(prenominal) of them show respect to king by bowing or other courtships. The king then travels to see Cawdor, who is pined down, by seeing this man Duncan is lower himself because it almost like he is getting his hands dirty as appose to just giving orders, then he takes out his be on sword and lowers it to Cawdors neck where in skilfully removes a palm and for the briefest of moments we reckon he going to kill him.In the Trevor Nunn version of Macbeth, this is a stage produc tion by the Royal Shakespeare Company. There are more limitations placed on the director because it is a stage production all the action takes place in the same place, this also forces the audience to use there imaginations, more that a film. Props can be employ but there are limitations to how much you can do.The opening sequence we see a circle of light, a metaphor for everlasting life, everything is in complete night except the for this circle, the forces of evil and the force of good are both represented and both will play roles in the play. The actors come on stage from the darkness and one stands the king, he is wearing a white one piece sheet, the white is in contrast with the darkness and could be a metaphor for peace and purity. The camera then pans more or less each actor in turn, each is wearing black and looks to be about middle age, then it passes Duncan who has a full beard and looks quite like a Santa Claus figure Santa is known for his kindness and good sagacit y this also true for Duncan. After the witches predicts, we see how frail he is when to friendly face comes to his aid helping him to his feet, his maybe a sign that the end is coming.In summary the both versions of Macbeth enlightening, it was useful to get some elses perspective on Macbeth. But there can be non denying Duncan greatness when an enemy say thisBesides, This Duncan hath borne his faculties so meek, hath been so cleat in his great officeMacbeth says this about Duncan, with enemies like this who need friends. I think Trevor Nunn version represented Duncan better because Nunn used simple but very powerful metaphors. 
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